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For that reason, cinema should and cannot be caged to what is merely "cinematic" because the term cinematic" itself is already enigmatic, subjective in its very definition and has something more to do with how the recorded moving pictures are treated and utilized to express rather than how these pictures are moved and later on recorded.That being said, for all the accusations of supposed theatricality, Mario O'Hara's flawed yet masterful Ang Paglilitis ni Andres Bonifacio (The Trial of Andres Bonifacio) is truly cinematic, probably the most important and cinematic creation that the Cinemalaya Film Festival ever produced in its six years of existence.When a film is described as poetic, it is often taken as a compliment.
Ending Essay Words - Andres Bonifacio Essay
Vargas, apart from playing Andres, also plays the youngest prince who in the Adarna the Adarna bird sings its lulling song.
Theater provides the cornerstones: the narrative, the milieu, the setting and the characters.
Poetry, on the other hand, more than the façade and the flourishes, provides the requisite subtlety in the execution, the minute gestures that accentuate a character, that last five seconds of absolute silence before a cut, the symbols, the verses, the rhymes, and rhythms. But if films are judged based on a balance where theatricality is measured with poetry, and the former outweighs the latter by a large margin, does it mean that the film is better off staged than filmed?
We have seen this happen with Marilou Diaz- Abaya's Jose Rizal (1998), a film that attempted to film Jose Rizal's life as fact that it only succeeded in being both glossy yet tepid, as compared to Mike De Leon's Bayaning Third World (Third World Hero, 2000), a film that has experiential knowledge f the impossibility of committing history to celluloid that it resigned itself to deconstructing the hero and what it has become in the present age.
The film, self-consciously theatrical from its very first frame up to the last, eschews reverence for its depiction of history.