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For eligibility, writers must be 18 years of age or older and cannot have published more than three pieces in national or international magazines.This year, an international jury of writers and art professionals reviewed the submissions.It also discusses the central critical issues raised by electronic literature, pointing out that there is significant overlap with the print tradition.
is a professional artist, pedestrian, art wanderer and space maker who has lived a life of displacement and detachment from her ancestral lands and communities.
Born in Edmonton, moving often during her childhood and residing in the Saskatoon inner city during her adolescent years and most of her adult life, Corinna relocated to Italy after completing her MFA at the University of Saskatchewan in 2016, where she lives and creates.
I look forward to seeing more of her writing in an upcoming issue of Penelakut) Nation.
She completed her MA in Art History at Concordia University, where she worked to show the impact the performing arts have in building confidence and leadership among Indigenous youth by learning to talk/embody discussions about safer sexual practices.
Of Métis and Mennonite decent, Wollf uses her current work to explores identity, culture and place using beads, natural materials and words.
This essay surveys the development and current state of electronic literature, from the popularity of hypertext fiction in the 1980's to the present, focusing primarily on hypertext fiction, network fiction, interactive fiction, locative narratives, installation pieces, "codework," generative art and the Flash poem.Recipient of a Joseph-Armand Bombardier Canada Masters Scholarship, Corinna’s graduate work focused on Métis aesthetics in contemporary art and her MFA thesis exhibition, “Water Over the Bridge by Katherena Vermette, and she is represented by the Darrell Bell Gallery in Saskatoon.Corinna’s work is in numerous public and private collections.Cover sheets MUST ONLY include your name, the title of your submission, your email address, and mailing address.Authors’ names should not appear on the submission. There is no fee to enter, but Please limit short fiction to 2000 words or less; flash fiction to 350 – 500 words per submission; essays to 1200 words; and poetry to three pages (standard font.) Please submit no more than a total of 5 single entries.She deconstructs how Indigenous voices and artworks disrupt and enhance the rhythms of the city, converging to form a new musical experience to urban life.She is interested in a navigational art of experience, and by interpreting life and love and pain as sound, Georgeson-Usher allows us to experience a startling and raw and vulnerable rhythm to the landscape around us, causing us to acknowledge the different voices of the diverse choir that compose it.” — Heather O’Neill“In Phanuel Antwi’s text on Lesley Loksi Chan’s body of work ‘ACCORDING TO WHETHER,’ he mentions that ‘complexities rest in bodies.’ Discussing the ways that Chan’s material practice speaks to wider social implications, Antwi’s writing requires of the reader that we acknowledge and reckon with the complexities that lie within our own bodies, and how we carry this into the world [in which] we live, work and make art.Wolff displayed a deft balance of the emotional and the political, two crucial elements in a critical examination of cultural discourse and artistic practices.Her evocative descriptions and elegant use of the first person created a languid flow throughout the story, and I found the clarity of her insight to be well-matched with the complexity of her subject matter.He has been politically active in organizing around a range of issues, including anti-immigration laws and practices, anti-colonialism and anti-capitalism, sex workers’ rights, labour rights within the university sphere and leadership opportunities for marginalized youth.He spends loads of time exploring questions of desire, the poetics of identity and the intimacies of everyday living.