Cultural Essay History New

We were both members of a Facebook group where people post pictures of firearms and buyers private-message to ask questions and make offers — sometimes cash, sometimes trade.I needed money to pay a buddy for an old ’70s model Lark teardrop trailer, and that rifle wasn’t doing anything but taking up space in the safe. In North Carolina, long-gun transfers by private sellers require no background checks.And though Godard may admire Woody Allen (himself an admirer of Bergman), Welles certainly didn't: "I hate Woody Allen physically, I dislike that kind of man," he tells filmmaker Henry Jaglom.

Tags: Essays On Frankenstein The BookS For Creative Writing StudentsParts Of A Term PaperTransitional Words Used In Persuasive EssaysGraphic Design Resume Cover LetterReally Good Research Paper TopicsReflective Essay On Teaching And LearningEssay Prompts For Ap English Literature

He was looking to buy a Kel-Tec Sub-2000, and I had one for sale.

Other than that, I didn’t know him from Adam except for a few messages back and forth on Facebook.

Like their counterparts in the East, medieval Catholic monks also practiced daily meditation, including meditations on death, just one of several methods “Cistercian monks used to reshape their own mental states,” as Julia Bourke writes at .

“A medieval Cistercian and a modern neuroscientist” would agree on at least one thing, Bourke argues: “the principle that certain feelings and emotions can be changed through meditative exercises.” No one devises numerous formal solutions to problems they do not have; although their physical circumstances could not have been more different from ours, medieval European monks seemed to suffer just as much as most of us do from distraction.

Benedict’s first rule for his order: “Listen and incline the ear of your heart.” Benedict spoke to the mind’s tendency to leap from thought to thought, to prejudge and formulate rebuttals while another person speaks, to tune out. Benedict, however, to take his advice to heart and stop treating listening as waiting to speak, rather than as a practice of making space for others and making space for silence.

“Benedict knew the benefits of silence,” writes Alain de Botton’s School of Life, “He knew all about distraction,” too, “how easy it is to want to keep checking up on the latest developments, how addictive the gossip of the city can be.” Silence allows us to not only hear others better, but to hear our deeper or higher selves, or the voice of God, or the universe, or whatever source of creative energy we tune into."According to a young American film critic, one of the great discoveries of our age is the value of boredom as an artistic subject," Welles says in another interview.If so, Michelangelo Antonioni "deserves to be counted as a pioneer and founding father," a maker of movies that amount to "perfect backgrounds for fashion models." As for Bergman, "I share neither his interests nor his obsessions.The gore may not be fashionable in contemplative settings these days, but ancient methods of guided imagery and creative visualization certainly are.So too are techniques like active listening and nonviolent communication, which share many similarities with St. because obstacles are all around, so we need to be intentional about overcoming them.” We do not need to share the same intentions as St.Quite a lot, and much of it applicable even to our online lives.Some of what medieval monks like the 5th century John Cassian advised may be too austere for modern tastes, even if we happen to live in a monastery.In the case of Orson Welles, one of the boldest artists produced by 20th-century America, that habit also found its way into his speech.This became especially true in the interviews he gave later in life, when he freely offered his opinions, solicited or otherwise, on the work of his fellow filmmakers. His considered remarks include the following: "There's a lot of Bergman and Antonioni that I'd rather be dead than sit through." No, Orson, tell us what you really think.He's far more foreign to me than the Japanese." Welles has kinder words for Federico Fellini, whom he calls "as gifted as anyone making movies today," but also "fundamentally very provincial." His pictures are "a small-town boy's dream of the big city," which is also the source of their charm, but the man himself "shows dangerous signs of being a superlative artist with little to say." Welles estimated the younger Jean-Luc Godard's gifts as a director as "enormous.I just can't take him very seriously as a thinker — and that's where we seem to differ, because he does.