Hawthorne is scarcely recognized by the press or by the public . For example, because Poe put such importance on creating an effect that would appeal to the emotions, he rejected all works of primitive art or works based on a primitive sense of art.
Likewise, he believed that didactic writing was for the pulpit and had no place in the realm of artistic creation.
For example, Poe is considered to be the father of the modern detective story.
Concerning this, certain critical principles associated with the writing of the detective story are presented in the introduction to and discussions of "The Murders in the Rue Morgue" and "The Purloined Letter," yet Poe himself never wrote down a unified critical principle which should govern the writing of a detective story.
For Poe, satire could create no sense of the beautiful within the reader.
And also, much of eighteenth-century literature is epigrammatic (something short), and Poe believed that the epigrammatic approach to art could not create a lasting emotional impression within the reader. in the construction of the effect" ("Philosophy of Composition"). Melancholy is thus the most legitimate of all the poetical tones." As a result of these views, Poe felt that the most effective subject for a work of art was the death of a beautiful young lady; this is perhaps Poe's most famous and most often repeated dictum, and, furthermore, to achieve the greatest amount of emotional melancholy, the death of the beautiful young lady should be expressed by the lips of the bereaved lover.
A wonderful way of finding out the meaning and ideas behind all of his work, it also makes great reading that flows through your hands gently before you suddenly realize you’ve finished it.
In the case of this essay the pleasure goes hand in hand with a fundamental theme for all those who want to write or even understand the stories of one who is known as one of the universal masters of short stories.
Writings that were moralistic or allegorical were likewise unacceptable to Poe because they failed to appeal to one's sense of beauty. for such combinations of event, or tone, as shall best aid . In much of his poetry, the effect he most aimed for was one of beauty and melancholy. As examples, we have "Annabel Lee," "Lenore," "Ligeia," "To Helen" and numerous other works on this subject.
More than any other principle, Poe emphasized the unity of effect that one should strive for in any work of art. "The most elevating and the most pure pleasure is found in the contemplation of the beautiful," he said in the same essay, and "if beauty is the province of the poem, then the tone should be one of sadness. And even though Poe did recognize other subjects as legitimate topics for art (he did praise Hawthorne, who very rarely concerned himself with a beautiful, dying woman), the death of a beautiful woman remained Poe's favorite subject. that the phrase 'a long poem' is a flat contradiction in terms." Therefore, a work of art should be able to achieve its effect in one sitting.