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He does this for example by showing the several pieces of fabric in the boat.
The painting ‘The Lady of Shalott’ (1888) by John William Waterhouse can be considered as a form of intermediality.
This essay will examine what form of intermediality can be found here, how it works, and the effects it entails.
This will be examined in the case of John William Waterhouse's paining ‘The Lady of Shalott’ (1888). John William Waterhouse (1849-1917) was a British painter who worked in the Pre-Raphaelite style.
My main questions are: in what way is this a form of intermediality? The Pre-Raphaelite painters wanted to paint like the artists before Raphael did.
The viewer who already knows the poem, will instantly recognise the meaning of those fabrics.
The viewer who has not read the poem will start thinking about it and might discover the meaning in the process.
Intermediality is often considered as a modern form of art in which several forms of media or performance are brought together.
But can older and more traditional ways of art also be considered as intermedial, and how?
These are all examples of the fact that with the transfer from poem to painting, the story has become bigger and more independent of the poem.
These are clear characteristics of transmedial exchange.