In Search Of Zora Neale Hurston Essay

In Search Of Zora Neale Hurston Essay-89
Four novels published in 1990 began the Harper Collins reissue; one, “Their Eyes Were Watching God,” sold more than 170,000 copies its first year.

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Thirty years after her death at age 69 in a Fort Pierce, Fla., nursing home in 1960, Hurston has attained the celebrity status that eluded her in life.

She has been inducted into the Florida Artists’ Hall of Fame.

Hicks was a great admirer of Hurston’s work, Mott said, and in 1976 wrote a long essay in appreciation of her.

Hicks’ essay became the nucleus for the new book, Mott said. ” is the first title “of real national interest” for Sentinel Books, which publishes 10 to 12 books each year. The interest in Hurston, Mott speculated, comes from the fact that “she was such an interesting role model. She went against the trend, and in later life she was a real political conservative.“She was a very complicated woman,” Mott said.

Even as a child she struggled to express herself freely.

In her autobiography, “Dust Tracks on a Road” (1942), she recalls her father punishing her for having “too much spirit'; he feared the consequences of a black woman's rebelliousness.Shinker said the Hurston books were issued mainly by university presses.But because Hurston’s work appeals equally to white and to African-American audiences, Shinker said, those houses often registered impressive sales.This is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996.To preserve these articles as they originally appeared, The Times does not alter, edit or update them.THIS collection of writings by the leading lady of black American letters between 19 includes several short stories and essays ; excerpts from her autobiography, reportage, collections of folklore; and selections from three of her novels — thus making available for the first time a representative sample of Zora Neale Hurston's many talents.“1 Love Myself When I Am Laughing” marks the latest of several tecent efforts to resurrect Hurston's life and work from unmerited oblivion.“Their Eyes Were Watching God,” for example, had been published by the University of Illinois Press, “and they were actually selling 50,000-60,000 copies a year.”With all of Hurston’s titles under one publishing umbrella, the books have been given a uniform and “spectacular” look, Shinker said.“You can’t walk into any bookstore in this country without seeing these books being sold.”But now that Hurston has found her proper acclaim, Nathiri said, “we want to encourage (the recognition) and help to get it into the mainstream.But its importance goes beyond its attempt to redress an injustice of literary history.This anthology also reflects certain significant trends in Afro‐American culture: the emergence of self‐conscious feminism, increasing sophistication in the study of black literature and a renewed emphasis on black nationalism.


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