This change from stanza one also goes along with the progression of life.
What is most brilliant is that he writes about sleep and then uses words that sound like sleep to describe it.
That makes the reader really experience how he is explaining death with sounds, not just words.
The poem "To Autumn" is an amazing piece of work written by one of the greatest poets of all time, John Keats.
From a simple reading, the poem paints a beautiful picture of the coming season.
So, Keats explains the development of death by going from lively and loud at the beginning, then very soft, and even softer still.
The diction and the imagery also play important roles in the interpretation of the poem "To Autumn.Maturing is a very hard word with the m and t sound; sun is a very soft word, beginning with an s. This tells of the great bounty of the current time, but adds a quiet feeling to it, such as what Keats was trying to communicate -- that death or a time of quiet is approaching. With words such as oft, store, swath, seeks, careless, soft-lifted, and drowsed, the whole stanza is filled with soft s and w sounds.Also, in the third line Keats says, Conspiring with him how to load and bless. This makes the stanza very sleepy and slow but with a warm comfortable feeling.Keats also uses visual diction to create imagery in words like seeks, look, watchest, and seen.These are less concrete than tactile imagery and continue the progression towards the end.This gives autumn a very real and concrete feeling that is important because although life starts out real as in stanza one, death will follow as a quiet, somewhat mysterious concept.This gives a feeling of laziness and goes right with the sounds before because they also slow down the feeling and show how death is beginning to approach.Keats writes, "And full-grown lambs loud bleat from hilly-bourn.The whole line stands out very radically because it is almost all loud sounds, especially bleat, with its b and t along with the voiced long e vowel.Close and bosom go together, with close being loud and soft with the hard c and soft s, and bosom being loud and soft with the b and s.The words maturing sun are not placed together haphazardly either. to load (loud due to the p and d sounds) and bless (soft due to the double s sound). This gives the whole stanza a generally loud, lively sound with a quiet hiss in the background.